Friday, May 22, 2009

A Big Big Love - The Pixes - Where Have You Gone?

Where have the Pixies gone? That UMASS sound, I think it about when I started really hitting concert, they broke up. I was really getting going with music, I mean 91 and 92 were good years and I saw a lot of good bands, Superchunk, Polvo, Seam, Soundgarden, Ben Harper (who played a lot of side stages for a lot of years and deserves all the due he is FINALLY getting and enjoying), Sonic Youth, Pearl Jam, Mudhoney, Radiohead (I think that was 93, but who's counting, it was the loudest concert ever), Front 242, Rage Against the Machine, Pavement, Tool, Ministry, Red Hot Chili Peppers...a lot of good bands, even got to see the Breeders.

When the Pixies came through they were at the tail end of their career and opening, not happily I hear history or rumor who knows, either way it seems a pretty commonly told tale about their having to open for U2.

There was a guy who always knew the cool music from HS a couple of years older than me named Cooper, who mentioned to me outside of AP French class that he was so excited about seeing the Pixies as they were opening for U2. We spoke well after the bell rang about this and I wanted this information, music information, ingesting the knowledge Cooper always told with close attention (unlike this girl who was always trying to push the Cure on me and her glam/goth bands on me in some class, again with upperclassmen that I cannot remember, I think it was Trigonometry). With Cooper and the Pixies/U2 story I was actually late for class and got detention, that is one way that helps me remember that story with such detail, that and I have super genius skills.

As for me I thought this was odd, how could someone like a band more than U2?!!? Then again I knew little of the Pixies nor had the money to see U2 and I was just a Sophomore on his way to learning what music I liked and did not. Music was beginning to be one escape from the hardships of growing up in the upper middle class town of Dunwoody, GA, noted for its now celebs. I was/am not one of them. I think I peaked when I was like 5 to 7 yrs old, when I was the Christiano Ronaldo of YMCA soccer, seriously, I was even ripped like that, well again history is debateable.

Speaking of history there is a story of Frank Black throwing his guitar at Kim Deal over frustrations that she wanted to play some of her own tunes, it goes like this:

It was after Doolittle that tensions between Deal and Francis came to a head (for example, Francis threw a guitar at Deal during a concert in Stuttgart), and Deal was almost fired from the band. Santiago, in an interview to Mojo, explained:

Kim was headstrong and wanted to include her own songs, to explore her own world. The way I think Charles [Black Francis] saw it, the band made pizzas, not cookies. Before we made Bossanova, we were even going to fire her after a gig in Frankfurt where we found her hanging out in her hotel room with no intention of playing. But our lawyer convinced us to try and work it out, to give her a warning or something. You know, I blocked that incident out of my head, that was too heavy for me. Kim couldn't believe I'd be party to it but I told her, she didn't seem happy, so why hang around? In the end, Kim realized it was Charles's bag, that he was the singer, but they kinda stopped talking after that.

Pretty much that was the beginning of the end.

The Breeders formed shortly thereafter, (see live video at this link) "Cannonball"and girl bands started taking off and the Pixies were through, with Studios picking up ever girl band they could, I even remember good ole Picasso Trigger who would play some sketch places in Atlanta and always were at least watching Kathy Poindexter who was kinda cute in her own way and that more than the music is probably why I went (I think she was involved on and off and on with Eric Bachmann frontman of Archers of Loaf and other bands (try track 6 Plumbline for info on what I think was all this, who knows).

While they weren't through they managed to make some awesome music. The Pixies definitely influenced bands too as Nirvana and Kurt Cobain liked to tell reporters that they hired Steve Albini for "In Utero" (listen for free at that link on last.fm) and cited "Surfer Rosa" as the reason for hiring Albini. They weren't the only ones for sure and I am sure if you look up some of those Pixies fan sites (<--- at this one in particular "I Love Pixies"you will find tons of more detailed info, win prizes, dvds and get a chance to bond with other fans...pretty cool site, check it out) Anyhow in honor of the Pixies and Charles Thompson IV aka Black Francis aka Frank Black (vocals-guitar), Joey Santiago (guitar), Kim Deal (bass-vocals and David Loverling (drummer) who the story goes they picked their named randomly flipping through the dictionary...who knows the truth to all this "history", but the music lasts. The music always lasts and for that I personally am thankful for this band from UMass who decided to make rock and roll and the rest is as they say 'history'. Enjoy!
(also this is a new file share, let me know if its shi**er than the other methods we tend to use. It's trendy and I figured I'd give it a shot, because I'm all about trends ya know ;p.)

Tuesday, May 19, 2009

DJ AM - Eli Escobar - Steven Aoki remixes of Chris Cornell's Scream and more!

Today we have for you remixes of Chris Cornell's Scream at 320 Bitrate, mp3, super smooth techno by a whole lotta bada** dj's. If you like anything smooth, interesting and with a beat you will LOVE this.

DJ AM and Eli Escobar remix

(cover art - "ad astra aspera" 20"x23" mixed media 1999 by sanithna phansavanh)


Steven Aoki remix:

(cover art - Wiltern Theater poster - 5.3.09 - Chris Cornell)



Others DJs involved and available remixes:
LMFAO
LA RIOTS
Discotech
Grandtheft (of Team Canada)
Autoerotique
Q. Harris
Dj Demarko
DJ Kleerup



Ok so I am also putting up some songs that I think you all will enjoy, feel free to download these mp3...as I think you will like to have this stuff. Again this is courtesy of The Brass Hat Group (which just moved to www.brasshatgroup.com
that is really just it's holding spot for now. Eventually Riddled Phantasms Magazine (E-ZINE and the print publication coming out in September) is going to move formats too, I hope you like!

Cat Power - "I Found A Reason" - Covers Record - released 3.21.2000 - Track 7 (Velvet Underground Original)


(cover art "Cuore" 7x13 mixed media 2004 by Sanithna Phansavanh)


My Bloody Valentine - "Sometimes" - Loveless - November 5, 1991 - Track 8


(cover art "Full Solar Eclipse" (c) 2009)



ENJOY!

Saturday, May 16, 2009

Risen From the Ashes Comes Not Sacrifice, But: "Wolfgang Amadeus Phoenix" (2009)

"Once upon a time, there was a woman named Jean Grey, a man named Scott Summers. They were young. They were in love. They were heroes. Today, they will prove it -- beyond all shadow of a doubt."

(the lead up to one of the most famous climaxes of the Bronze Age, as Jean Grey makes the ultimate sacrifice -- "The Fate of the Phoenix" The Uncanny X-Men, 1st series, #137, Chris Claremont)

Phoenix_rising
(Image by Jonathan Jordan (c) 2009 - a totally bada** photo of Phoenix Rising or whatever - appreciate the beauty I say!)


So Phoenix (that French band I seem to talk about so much here on this site) has their new album Wolfgang Amadeus Phoenix (2009) FINALLY being released here in the US on May 26th, 2009 a day after its release to the rest of the world on May 25th, 2009. I have been listening to it and it is good! I mean really good. That sample track "1901" I played for you all, is just a taste of that post punk-pop-funk-I dunno - FUN! The hell with trying to categorize it, it is just FUN!

Here is an un-Official Fan Video of 1901 that if I were Phoenix I would buy b/c it is pretty damn good and I'd like to see them do a better job.



Here is the rest of the album to fully "whet your appetite" (psych! lol...the entire album for download is available at high mp3 quality 160 bitrate below) that officially went for sale on at the US iTunes store and AmazonMP3.

The album starts off with fully Euro-techno beat background on it's first track "Girlfriend", which is fun, upbeat, almost like U2 without the over-dubbing that a lot of newer U2 falls pray to. Apparently in looking at other reviews and stuff about Phoenix, they lots of "industry connections", I don't know about all that or give that kind of comment much weight. Lots of musicians out there have these supposed "inside connections" like Jakob Dylan and a slew of others such as Pete Yorn on the Coldplay tour whose brother AND sister are like super agents tied into the likes of Leonardo DiCaprio, Marty Scorsese, Cameron Diaz and Benicio Del Toro.

Honestly for all their nice little tunes, they get more play off of one hit wonders or opening for bands accused of plagerisms. Yes Coldplay is being sued by Cat Stevens and Joe Satriani and maybe others, I haven't looked that much, but it is making new. I honestly don't think it is has much weight, these complaints, but that is me.

The old Irish (I believe, correct me if it's not Irish), saying goes something like this "When one person calls you a horse, you say 'meh' you're f'ing crazy...when 4-5 people call you a horse you still think they are crazy, but also start wondering "hmm"...when 10+ people call you a horse? Best time to get yourself a saddle lassie!" So really who knows and who cares, who Phoenix knows or who needs saddles or whatever, lol.

Now back to Phoenix (sorry the ADD got ahold of me there)...the album delivers. It has that sound that Actung Baby had only it's newer and fresher and less indulgent than U2 (sorry guys, but it's true, Bono you can be a big look at me baby, but we still love you). This album drips the new and the old, techo euro-trash dance or whatever you call it with catchy pop riffs and a really likable album.

I REALLY like "Armstice" and the keyboard, organ thing they use and the driving force of the song. It's a "get you" song like I talk about with Matthew Barber's album review of "Ghost Notes". The song "Lisztomania" is appearently, "coined by the German romantic literary figure Heinrich Heine to describe the massive public response to Franz Liszt's virtuosic piano performances. There were allegedly screaming women at these performances, and the audience was sometimes limited to standing room only." Who knows how they came up with that one, but it's another soon to be hit and these hits are building up. I mean this album is catchy, but not in a Britney (and this link of the 10 hottest all grownz up Mousekateers, which I am sorry, but it's a Friday night and I had to add) way and maybe that is why SNL sought them out, they saw that this is one good album.

Here is the OFFICIAL Phoenix - "Lisztomania" Video



Even "Fences" is a slower, equally hip with the mixer groove, but slower and again danceable. The entire album is made for the "disco" that is so beloved all over the rest of the world and something we Americans don't get. We either look for those club where rap is blasted too loud or music is played so you can do the whole rub on each other thing that, the Europeans don't do, they dance and they love it. And this album is made for them and we (being Americans) just happen to be lucky enough to get to be privy to it. Will it take off here, I do not know, I am not a top 200 Billboard kinda guy, but I do know I like, I think others will too and I think it's what people would term "HOT".



I think the song that really takes the album and shows off all of its traits in one track is "Love Like A Sunset" a slow building, techno beating song that is subtle in its luring you in, to where it slowly transitions from pure dance club tune to a guitar and vocal song that reminds me of My Bloody Valentine "Sometimes" or Smashing Pumpkins "Starla", two of my favorite songs that are worth pointing out when describing "Love Like A Sunset" part 1 and part 2, which I ripped together for a seamless sound. Trust me it works.

The album closes with "Countdown - Big Sun" with its organs and high pitch falsetto, whatever you call that kind of Billy Corgan, Mazzy Star, Brett Dennen vocal that is so smooth with a techno silk beat. I have loved the Smashing Pumpkins and their Siamese Dream (recorded Triclops Sound Studios in Atlanta, GA as they lived in Marietta, which explains all those Pumpkin shows growing up around here- a lil shoutout to my hometown)
/Gish sound where they let D'Arcy's (the girl in the band/bassist) vocals runneth over, bleed the sound, something Phoenix does so well, while not having a girl, they are comprised of Thomas Mars, Deck D'Arcy, Christian Mazzalai and Laurent Brancowitz who are able to let their vocals drift from that punker tone to that dreamy tone. "Girlfriend" and "Armistice" songs that remind me more of Pavement's Slanted & Enchanted and one cannot forget that they did get to play SNL and that isn't something tossed around lightly. Being on SNL is rare and while I personally think they played it safe by playing "1901" and "Listzomania" I am not going to complain because it gave them exposure. I think had they gone out and rocked a "Love Like A Sunset" or "Fences" the critics might have been less harsh at least here in the States where bashing the French is almost as much fun as THIS, we can still enjoy "1901" the SNL version,


Overall I don't think Phoenix does anything NEW, like musically reinvent the wheel, but they do what THEY DO well and this is a great album especially if you like their other stuff. I'm a Phoenix fan, I was waiting for this album and not disappointed at all with what we got. Was it a perfect score no, but perfection is a myth just like perky boobs after kids sans the implants. "Wolfgang Amadeus Phoenix" is a good album, worth the money or if you got Riddled Phantasms route as promised here is the download file share from my personal collection that I paid for and am allowing you share ...


ENJOY!

(I promise they are in order once you click on the dl link to 4Shared...this is brand new, no violations, nothing, I remade the bitrate at 330!!! That's as good as it gets folks, that is the uber crisp /\\/ ! ;p)

Creative Commons Attribution-Noncommercial-No Derivative Works © 3.0 United States License – The Brass Hat Group

Friday, May 15, 2009

A little sickness is nothing when you have friends by your side...Matthew Barber live @ Union Hall 5.13.2009 - Easily Bruised

So on the night I was supposed to be in Athens, GA, hearing one of my personally favorite musicians, Matthew Barber, both as singer/songwriter; and honestly as a person. He took the time out, some 15 minutes before he was about about to go on stage an perform and shoot me an email via phone to check on if I was OK and then after reading my email on what was going on wishing me, "to feel better," among other kind sentiments.

That transcends music.

I will not go into details about what ailment I have, but it causes me a lot of difficulty lately with life and doing normal activities and hopefully I will find some cure, but if not it is nice to know that people even ones famous enough to be nominated for nationally acclaimed awards. It goes to show you a lot of the stereotypes about people and fame and all that stuff you read onn those trashy sites about the debauchery and greed of stars is not all true. Matthew Barber is not one of them. He is unique, not just because he is talented, but because he is as benevolent as his songs and the vocal resonating harmonies that accompany them. When was the last time one of your musical heroes sent you an email from their phone minutes before going on stage to make sure you were OK? Does that happen, really? Clearly the answer is yes. I am grateful beyond reproach. Moments like these, no matter when or how they occur give me faith in our society and savage beast that is supposedly has become. When people put aside all that is going on around them and care for each other, what do you call that?

For me...That is humanity.

For me...That is integrity.

For me...That is hope.

Thanks Matt...indeed.

Here is a copy of Matthew live on 5.13.09, it appears I am the first viewer and you are the 2nd. I guess this just went up and I found it, again, coincidence or intervention from the powers that be, from the goodness of man that still appears to exist. Please enjoy and check out stuff from IndieCabaretNYC on YouTube. All of his stuff is top notch, enjoy! Follow this guy if you like high rez, tunes from the NYC music scene...here is:

"Easily Bruised" by Matthew Barber ~ Ghost Notes (live @ Union Hall, Brooklyn May 13, 2009)



fyi...this song is my favorite song in the world, today...it's so right on right. Tomorrow might be something else, but today this wins the contest if there was one in my riddled mind. Listen closely, please and if not here below to the track you can dl, but listen closely, it's worth it, it's deserving of it.

Thursday, May 14, 2009

ghost notes, riddled phantasms and, "'Curiouser and curiouser!' cried Alice...

...(she was so much surprised, that for the moment she quite forgot how to speak good English); `now I'm opening out like the largest telescope that ever was! Good-bye, feet!' (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). `Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure I shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can; --but I must be kind to them,' thought Alice, `or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas.'

~ From page 7 of Lewis Carrol's "Through the Looking Glass"

Video for the song "And You Give" from the album Ghost Notes that made it's US release on April 14th 2009. Directed by Alexis Taylor and Matthew Barber.


I thought I would add this, as the hours and minutes tick away until we get to see Matthew perform in Athens, GA at 8pm at the Farm 255 on May 15, 2009 and then at 5:30PM at Criminal Records for an in-store performance in Atlanta, Little Five Points.

This is what Matthew himself has to say about "Ghost Notes" a name that now strikes me as uniquely tied to my own E-Zine online Magazine's name "Riddled Phantasms". Spooky and similar eh?

"Ghost Notes is my first record in two-and-a-half years, and it marks somewhat of a turn away from making rock records, and towards embracing more folk, country and bluegrass influences on my singing and songwriting. The record is rooted in vintage rock and roll production values, but it dabbles with traditional elements in the way The Beatles, The Rolling Stones, Dylan, Neil Young, Springsteen, Petty, Van Morrison and the Band do without ceasing to be acts that have aimed big and sought popular appeal. I produced the record myself with the help of engineer Ken Friesen at the legendary Bathouse studio in Bath, near Kingston, Ontario. Ghost Notes features a completely new line-up of musicians – namely Kieran Adams on drums (who had been drumming with me since 2006, Paul Mathew on bass, who I had played with in my other band Live Country Music, and Jesse O’Brien on piano and organ, who I had met years earlier in Hamilton. After the Canadian release, the album came out in Australia on the Code One label in September 2008, and is coming out in the U.S.A. in April 2009. It was also nominated for a 2009 Juno award for best solo roots/traditional recording."

For me something struck me today as odd, unique, off-beat, veiled, nothing bad, just different. I was listening to my i-Pod on shuffle and the song that this video plays "And You Give" came on right before an Elliot Smith song came on, possibly his most famous one, one that I like because of its references to Johnnie Walker and Los Angeles, unbeknown to me that it was in "Good Will Hunting" and had all the veritas of being a song nominated and sung by Elliot at the Oscars.

I later found out when I wanted to see him play, actually purchasing tickets in SF a couple of months in advance that he had recently stabbed himself in the heart with a knife. I don't know about conspiracy theories or any of that surrounding his death, but I know that they are out there, same as with Kurt Cobain, Elvis and almost everyone famous all the way back to Jesus. You can find them, but I won't indulge that kind of stuff here, I think it's beneath me or at least not what I intend to do here so I forgo that sort of thing today. These things happen I guess, suicide and strange currencies (a nod to the upcoming Athens visit), but I wanted to share with you both songs, which happen to have YouTube videos (yeah for us! we're the winners now!) and so we are in the luck of it and get to watch both in one fell swoop.

Enjoy my friends, roses for all.

Matthew Barber fans - GET OUT THE VOTE or SONG (in this case)!

All you Matthew Barber fans out there, tonight he is playing:

Solo set, supporting Jill Sobule.
May, 14 2009 09:00 PM - The Milltown
307 E. Main St., Carrboro, North Carolina

I think a really good way to get out the noise and funk on him and familiarize the "Triangle" of Universities (NC State, Duke, UNC - Chapel-Hill, Wake Forest, Central Carolina, etc...) and then Athens, GA (home of Univ. of Georgia - Bulldogs) is to call into the local radio shows and request a song of Matthew Barber's that you like, enjoy or have just come to be fond of via this site or Flagpole Magazine or The Last Broadcast (great reviews both of them!) or any others out there and there seems to be a bunch!

I have songs that you can download on my review and interview of Matthew Barber and "Ghost Notes" and then the player has a button that will re-direct you and allow you to download and send to them to whatever station, if they do not for some reason have the song. You could also just simply say 'go to this guy's site and grab a song. For the day I will make available the folder so they can use all of the "Ghost Notes" songs, as you or the station can download whatever you request off of there and make it available, uber fast.

This is in an effort (from my own personal music collection, not through anyone else or on behalf of anyone or anything else, but my own collection that I am sharing and JUST FOR TODAY) in helping "GET OUT THE VOTE OR SONG (in this case)" of some good music by a musician willing to drive 1000+ miles to play his brilliant tunes for us? Who does that? We owe him at least some effort on our end, seriously.

I have one minor request if you do this.

Please email me at brasshat@riddledphantasms.com or ross@brasshatgroup.com or brasshatgroup@gmail.com some info for my records - what time you requested, what station and if you were able to get air play and best yet if you were able to get any sort of recording of this airplay so I can link it and post on it (that totally is not required so don't feel pressure to do this). Really any info would be appreciated and I promise to give you all something special in form of a shout-out and some rare music or something from my collection of goodies or something neat (and yes people still use that word, no chuckles please), if you are able to pull this off an email me.

Tomorrow night Matthew Barber is in Athens solo, sans Jill Sobule, which I think gives the town much props. The station, at least college UGA wise can be contacted at http://www.wuog.org/contact/ and you can contact them direct on that link or as seen listed below, and having been a DJ there a few years back (again no chuckles from those of you who know my age), most DJs play what is requested and that they can find. If you give them again, the link to my site and either day this would totally help!

Also a good place to look if you are wondering "what the #@$@" is the Milltown and who is Jill Sobule - you might know her as author of the first "I Kissed a Girl" way before Kate Perry decided to make a trendy pop version of her own on the topic, even though Jill's was a Top 5 hit single in 1995, (but, totally not limited to that song, she is really talented and deserving of her own review and worth a listen) and honestly check her out...

Also I found this blog about the Milltown, which speaks to the ninja in all of us!

Here is a list of the stations to call today, request a Matthew Barber song, do it for the love of music, not because I am asking and before the show if you can, but really whenever is cool too, because time is not the cage master of music, there is no Rancor, of sounds, songs and albums, WE ARE THE JABBA THE HUTS in this situation. Pick a station or 2 or as many as you want and call if you are up to it, it's fun and def. something different, but I think would help Matthew Barber whose music :

  • WKNC 88.1 FM NC State's college radio station, based in Raleigh - http://wknc.org/contact/ 919.860.0881 or 919.515.2400 AIM wkncrequests; Twitter wknc881
  • WXYC 89.3 FM University of North Carolina-Chapel Hill's radio station-919.962.8989 (Actually don't bother with them...UNC is a step or 8 behind the rest of the pack as they do not email or have computers, they rely on some form of arrogance/courrier pigeons/smoke signals & oompa loompas to get their stellar West Nile Virus - Swine Flu dance tunes, let's move on)
  • WDCC 90.5 FM Central Carolina Community College's station. This Sanford, NC-based station plays hip-hop and top 40 hits.
  • WPAW 93.1 FM This Winston-Salem-based country radio station, also known as "93.1 The Wolf" can be heard throughout the Triangle.
----------------------------------------------------------------------------

Solo set.
May, 15 2009 08:00 PM - Farm 255
255 W. Washington St. www.farm255.com, Athens, Georgia

http://www.wuog.org/contact/ - 90.5 University of Georgia Radio
if you go to the:

New Listen Live a screen with a player pops up on the page and you can listen on iTunes, Real Player, and Winamp or their player off your comp or whatever. It's a big difference since the lat 90's lol.

The rest is up to you...motivate! Down with the bong (at least for like 10 minutes) and make a quick call to those jokers on the top floor of the Tate Center (in Athens, GA - Central Campus area) forcing us to listen to their obscure music, and sometimes lousy stuff (I can say this as I used to DJ there, have I made mention of that fact enough?), let us hear some good indie tunes for a change! Play us some Matthew Barber - "Ghost Notes"!

It's all up to you in NC and Athens. And just so you know that it does work they played "Somebody Sometime" for me at 12:25 PM EST. The DJ is super cool so be sure and give him props as he has a 24 hour DJ shift, the number to call for requests is 706-542-4567...As for the 24 DJ shift, wows, that is almost as insane/bada** as Matthew driving from Canada to Athens!

Thanks friends!

- BHG (remember gifts to all those who email info on helping ;p)



Tuesday, May 12, 2009

Does Canada Make More Than Labatt's and Hockey Sticks? The Answer is...Matthew Barber.

"Somebody Sometime" - Ghost Notes (2009) by Matthew Barber

"dixie" 8.5" x 11" .. mixed media .. 2004 by Sanithna Phansavanh

It is rare in music or even life, which if I digress into that tangent we might as well get in one of those lil water golf carts James Cameron used to futz around with in his self-indulgent search for the Titantic. The search for what the meaning of in life would be an equally a never-ending depth of indulgence that I won't take you unless I have you Gitmo and those are my orders.

But seriously all joking aside, songs like the one above (available through my 4Shared account) are what I believe rare to find. "Somebody Sometime" by Matthew Barber, a talented Canadian artist who is brand new to the US scene minus a few past appearances and having just released in the US (it's been out for almost a year in Canada) Ghost Notes (2009) on April 14, 2009, did to my senses for a few days what is rare to rare and what I am always in search of when looking for new music. I believe that when songs "get you", get into your head, they can come hell or high water - asphyxiate you and force you subconsciously into to playing them over and over again just so that you can breathe (metaphorically speaking of course, I’m no David Blaine so I can’t hold the air that long).

You know what I'm talking about though, with the music and those types songs, wrapped around your neurons and synapses and all that jumble up there, you have to hear it 24/7, to get it out of your system. Really anyone who has listened to music, knows. I have a niece who when she was merely 2 lived by the motto The Wizard of Oz or no "figgy pudding for you!" And she meant it! You didn't put on the Wizard of Oz for her and you were cut off, personal vendetta, jihad style!

We all have songs like that and sometimes they pass quickly and sometimes never at all. I think (not to be too Freudian) it's a primal thing that certain music can arm bar your a** and you still cannot fill the urge with or without "crying uncle".

When I was 12, I got three tape cassettes for my birthday from an Aunt that had always sent me books, but I guess was trying to be hip, God-bless her for that. They were Down With The King by Run DMC, Joshua Tree by U2, Licensed to Ill by the Beastie Boys and the Joshua Tree got me. I listened to it so much it warped and played fuzzy and deep tones, off-beat, but I kept listening. U2's Joshua Tree was the first to that to me, especially the first 3 songs (1. Where the Streets Have No Name 2. I Still Haven't Found What I'm Looking For 3. With or Without You)

















I am not going to say the entire brand new album by Matthew Barber album Ghost Notes will do all of what I just talked about to you, but it might, in parts or in full, whatever the case may be, I have a feeling you will come away just as me and my friend did with the feeling "I like this."

I could go by the Press Kit stuff or other reviews off the net and write you a rhapsodically versed review of this album, but I'd rather go with gut instinct on this one and if my ears are tone deaf so be it. Something tells me the masses are going to like this album and that you my readers are going to like it too. It is not complex in its presentation, but it is deep in the words and effective at drawing you in from the first listen. That more than anything struck me as different. I was sitting with a friend and I told her I got this album recorded by a guy who is Canadian and I read her the press release and we put it on and just sat back. I told her I had an interview with 'this guy' and so I didn't know what to expect any more than she did. She said it was good, and then about 20 minutes into it she said it was really good and by the end she had moved closer to me, hand touching mine and asked for a copy. Thanks Matt ;p.

The album is basically poetry, the haibun - 俳文, much the way Bob Dylan writes so rhapsodical in his book Chronicles, Vol. 1 or if you ever hear Jack Kerouac read, it is all so similar - take a look:

"Easily Bruised"
Lend me an ear I'll tell you a story
'Bout a man who didn't know how to be
Joined a travellin' circus from PEI to BC
I was playing dead every morning
I was taking dives every night
Someone came and swept me off my feet in midflight
Now without a love I really got nothing
Without a love I'd hang up my shoes
It'd be a world of suffering
If this one I was ever to lose...




"michael" 8.5" x 11" - colored pencils - 2004 by Sanithna Phansavanh


So when I got the chance to ask Matthew Barber himself says about "Easily Bruised" he explained the following, "The first verse is about being kinda wayward and not feeling so good about things in the state of one's life and finding someone that gives you hope. So it is a love song kind of sense in that sense. I also wanted it not to be a straight up love song, but wanted it to respect the fact that relationships are always treading a thin live and even when things are going well we have those weird urges and destructive urges that can pop-up now and again and we have to be weary of them and how delicate love can be. The balance can get shift easily and of the notion of how you constantly have to make them work to keep it at an even keel and make it work."

And then the conversation switched gears to that notion I have of how can genre "art" or "music", and my personal disdain, I think I used for it and Matthew responded that, "I have always loved the Beatles. Probably my favorite album is White Album, how can you say they are one genre? They are all over the place, but the point is it is all the same band and the same people so why can't they just be the Beatles? I think back then you could be, but now a days some of those songs would be considered blues rock, some would be considered singer song writer, some would be considered alt-country, some would be considered jazz, what is that?"

I totally agree Matthew, what is that and why can the Beatles, be the Beatles, the Clash be the Clash and even Mathtew Barber be Matthew Barber, so maybe that is why I didn't give too much a heavy look at the press out there when I was fortunate enough (and Matthew thank you) to be able to find out who this producer of wonderful ballads, music that works, and I don't need to be deep or smart to understand that or enjoy, I just have to know that when I put in Ghost Notes I like what I hear.

We go on to discuss his influences, everything from George Jones, to Pavement to Bruce Springsteen he likes music not to impress anyone and you feel that in listening to his songs. They aren't to impress labels, or girls or boys or critics. It is just like we say in Georgia, specifically Athens, where Matthew Barber will be at the Farm on the 15th of May this Friday, and at the University of Georgia or anyone passionate about the school's football, 'Damn good Dawg!', why can't we say 'Damn good music!' and put any labeling or encasing of what genre he is or isn't and just appreciate the music?

Matthew Barber's Upcoming Schedule is as follows:

May, 12 2009 11:00 PM - The Living Room
154 Ludlow St., New York, New York -

Solo set. 11 pm sharp. PWYC.
May, 13 2009 08:00 PM - Union Hall
702 Union St., Brooklyn, New York -

Solo set, supporting Jill Sobule.
May, 14 2009 09:00 PM - The Milltown
307 E. Main St., Carrboro, North Carolina -

Solo set.
May, 15 2009 08:00 PM - Farm 255
255 W. Washington St. www.farm255.com, Athens, Georgia -

Solo set.
May, 16 2009 05:00 PM - Criminal Records - In Store
1154 A Euclid Ave NE, Atlanta, Georgia - Free Solo in-store performance

I really hope that you get to make it if you are in NC, Athens or Atlanta, because this is one of those rare treats that does not come around all the time. So as this is the first of what I expect will be many US tours and when he is big and famous and known from coast to coast you can tell your friends while discussing music sipping a Clos Du Bois cabernet, when people usually start with their Big Fish tales over good wine and good tunes and quietly say, "I was there."

Indeed, you won't have to explain it in terms of 'genre' or "sounds like X +Y with a little of Z", just give them your copy of the album and say, "Now press play".

The rest will take care of itself. It has with me.















"You and Me" - Ghost Notes (2009) by Matthew Barber

"great expectations" 10" x 12" mixed media 2004 (c) Sanithna Phansavanh

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