Showing posts with label Acoustic. Show all posts
Showing posts with label Acoustic. Show all posts

Thursday, May 7, 2009

Pictures Might Be 1000 Words Strong, But Passions Remain Infinite Amongst The Garden of Sideways-Eights...



~ "White Lies For Dark Times" concert & album review~

White Lies for Dark Times
- (c) 2009 - was released 05.05.2009 and I just have started listening to it a couple of weeks ago as I was fortunate enough to have a copy. In all earnest it is so new that there is no data yet on the Billboard 200 about it's release as of yet, but they say, "Other albums looking to start high on the Billboard 200 next week include Devil Wears Prada's "With Roots Above and Branches Below" (Ferret), Ben Harper's "White Lies For Dark Times" (Virgin/Capitol)."

I have a personal kinship with Ben both legitimately and via the songs themselves even though I did get the boot, post show, by some roadie who looked like he was 103 and hopped up on about 40 grams of 'meth' that started like I mention previously on the floor, freshman year of college hearing him live for the first time. If you are like me, like John Cusack and how he rants in Hi-Fidelity (Nick Hornby's first novel) that you can organize your life by music. Music isn't just an art form according to Hornby, "In a way Rob's job in High Fidelity is a trope, if you like...He listens to very raw stuff all day and it probably doesn't do you any good. I think over the last 10 to 20 years we've all had much more opportunity, more leisure time, and there's certainly more stuff around in terms of radio and TV, so I think we have a slightly distorted sense of what life is." And that's it, our lives might be distorted by what we feel a connection to, real or imagined, it is ours and it is personal and often times related to specific music. That is why you see so many blogs and sites out there like this, because we find company in our collective misery, joy, sadness, whatever emotion the music helps us feel, there is that collective kinship among the listeners, the fans, you and me. I personally can link several of Ben Harper's songs to moments of my life that come to me like a scene in some movie where your life flashes by quickly or via that slower montage that they teach you about in film school or books on how films are made, as a dramatic effect, because it's something that most music lovers, and lover in general can relate to, it's why you hear that guy say, "Oh sh*! this is my favorite song," and start bouncing, moving, hopping, dancing or whatever you might call it.

I personally don't have a name or a genre for that feeling of association, but it is often what I am trying to give readers who are kind enough to visit and read the words here at the Riddled Phantasms website of the Brass Hat Group. It is the tie that binds us here or at concerts or at anything artistic and entertainment filled. It is what I love and it is so genre-less that I want to be certain it never gets caught and caged like the sad lion or giant silverback gorilla at the zoo that has lost its will to be free. Music, especially the kind Ben Harper writes and sings and performs, both live or via album - this one being "White Lies For Dark Times", gives us back that internal freedom even if only for a brief instant, and allows us to have something that loves company that isn't just "misery".

Ben Harper's songs and my memory of the events around them work like that. From what I know personally of Ben is he is a helper, he cares about people, just ask Jack Johnson who literally just gave Ben his demo and the rest is history, i.e., Jack Johnson is huge with a large record contract and nominations yearly for songs and albums all the accolades that accompany fame and success, simply because Ben Harper cares. There was a point during the show where Ben, spoke to the audience expressing a hearfelt thank you and speaking in terms that everyone could clearly understand about how he does it for the love of music, the passion of music and the love of his fans whom without he would have no career or anything.

His new album goes back a little to the roots of rock and roll, post blues, with less of a focus on Ben Harper solo acoustic artist and more a push towards his Burn to Shine and Innocent Criminals days where he seethed with a hot-blooded vocal tonic that really drove the masses to Ben Harper and whomever he has backing him. The relentless 7 is made the band Ben formed in 2008, Relentless 7 with Texas-based musicians Jason Mozersky (guitar), Jesse Ingalls (bass) , and Jordan Richardson (drums). They receive their first musical credit with Ben on this new album release and accompaning tour (http://relentless7.benharper.com/#/tour).

If you want to read an excellent Q&A with Ben Harper I strongly suggest you take a look at the Ampersand's by Brad Frenette. This is one of the better artist/writer interviews that induldge the belief that music is more than just a hobby, but a passion that kindles with each spark and what makes it unique is that those sparks range the whole gamut as people have different parts, songs, albums, moments that tie them all together. The way Ben talks about music reminds me a lot of the way Bob Dylan talks about it in his book Chronicles, Volume 1. I hope you all enjoy the music and the video and everything The Brass Hat Group has to offer.

Cheers!

"Faithfully Remain" - White Lies For Dark Times (c) 2009 - Ben Harper

(The cover art: "Le Petite Mort" by Sanithna Phansavanh - more of his art will be covered shortly in another post, please contact me at ross@brasshatgroup.com if you have any questions or would like to download any full sized images -- Also this MP3 is available for download from my hosting site link and is covered by license I use on everything, but just as a reminded this is covered by the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License (c) 2009 - The Brass Hat Group)


"Thin Skin" - White Lies for Dark Times (c) 2009 - Ben Harper

(Photo Art: "21 Grams" by Sanithna Phansavanh (c) 2009)


"Faithfully Remain" - Live Video - 5.2.9 Variety Playhouse - Atlanta, GA

Thursday, April 30, 2009

Put Down Your Wii and Tell Us What Makes A Real Life "GUITAR HERO?″

According to Chris Cornell's promotion/publicity agency (who is a combo of Sacks & Co. and Red Light Management, this from Sacks & Co. who I have to say really are awesome in keeping us at the Brass Hat Group in the loop and whom without, we would not be providing you nearly the level or attention to detail that we love and hope that you all do as well):

Wanted to send along a Chris Cornell update.

Last night Chris Cornell played a sold out show at Seattle’s Showbox. Good friend and former Soundgarden bandmate Kim Thayil was at the show with Chris
(see Chris’s tweet: http://twitter.com/chriscornell) as was Queensryche’s Chris DeGarmo.

See photo Kim, Chris, and Chris.

(click on this image to download)

Chris’s Scream Tour Live
Tour
4/28 Commodore Ballroom Vancouver, BC
4/29 Crystal Ballroom Portland, OR
5/1 Grand Ballroom San Francisco, CA
5/2 House of Blues Anaheim, CA
5/3 Wiltern Theatre Los Angeles, CA

Sites
www.chriscornell.com
www.myspace.com/chriscornell


----------------------------------------------------------------------------------------------

I also wanted to share with you all what was so freely given to me. This is a clean download and directly from the record label. This is a live version of "Scream" acoustic off of the Scream album (2009) - available for purchase at that link.

(cover art - "cherie" 9x12 mixed media 2004 sanithna phansavanh - available at http://tinyurl.com/c69ax2 thanks to The Brass Hat Group)

In addition, I wanted to give a little shout-out to Kim Thayil who is for all practical purposes a rock guitarist G-d for those of you not familiar with his work. Rolling Stone Magazine listed him in the top 100 best guitarists of all-time. And much of that 'Seattle - Grunge Sound' you so often hear referenced comes from the styling of people like Kim and few others. Kim was not just an awesome Soundgarden guitarist, but her wrote the co-wrote lyrics, music and plenty for many tons of their songs:

  • "Hunted Down" (Screaming Life) ... music
  • "Nothing to Say" (Screaming Life) ... music
  • "Tears To Forget" (Screaming Life) ... music (co-written)
  • "Little Joe" (Screaming Life) ... music
  • "Hand of God" (Screaming Life) ... music
  • "Kingdom of Come" (Fopp) ... credited to Soundgarden
  • "Flower" (Ultramega OK) ... music
  • "All Your Lies" (Ultramega OK) ... music (co-written)
  • "Circle of Power" (Ultramega OK) ... music
  • "Incessant Mace" (Ultramega OK) ... music
  • "Hands All Over" (Louder Than Love) ... music
  • "Get on the Snake" (Louder Than Love) ... music
  • "Heretic" (Loudest Love) ... music
  • "Jesus Christ Pose" (Badmotorfinger) ... music (co-written)
  • "Room a Thousand Years Wide" (Badmotorfinger) ... lyrics
  • "New Damage" (Badmotorfinger) ... music (co-written)
  • "My Wave" (Superunknown) ... music (co-written)
  • "Superunknown" (Superunknown) ... music (co-written)
  • "Limo Wreck" (Superunknown) ... music (co-written)
  • "Kickstand" (Superunknown) ... music
  • "Never the Machine Forever" (Down on the Upside) ... music and lyrics


According to much of what you find about the etymology of Soundgarden is as follows:

Although he was born in Seattle in 1960, Thayil grew up in the Chicago. Kim Thayil met Hiro Yamamoto at Rich East High School in Park Forest in Chicago. After graduation, they moved to Washington together where they went to the University of Washington (located in Seattle), where he studied philosopy. Hiro and Kim met Chris Cornell while at school at UW and in 1984 the three formed Soundgarden in 1984.

Kim is in my opinon, without the famous quotes or lists or awards, one of the best rock guitarists of all-time and a big reason I was such a huge fan of Soundgarden. His guitar and Chris's vocals and I was sold.

Here is a photo of Kim during his Soundgarden days:











(Truth be known they were all big Beatles fans, much like fellow Seattle grunger Kurt Cobain -see MSN.com Bio for this factoid)




There is Thurston Moore
(see his MySpace page linked here for details of the now) of Sonic Youth:

















There is Stone Gossard (see his MySpace page for details of the now) of Pearl Jam:















Obviously there was also Kurt Cobain (see this link for his Official posthumous page) of Nirvana. They still more than anyone get the credit and the hate for the grunge sound, scene and aftermath of all that arose from those years. Kurt also, who for a variety of reasons gets most of the press regarding the guitar sound, especially by the main stream media masses. While I know this might appear blasphemous, Kurt was not nearly the technical guitarist the others listed above are. Though I have to admit I was/am as big a Nirvana fan as the rest of them - them being the people who either totally became grunge or hated it with such a passion that George Bush - the first one- made mention of it in one of his speeches.

Starting in 1993, about 2 months before 'Smells Like Teen Spirit' hit the market and Nirvana played the good ole Masquerade with its 'Heaven' - 'Hell' and 'Purgatory' levels (live music on the top floor, dance club with all kinds of debauchery on the bottom floor and a bar and billard's room as well, a real eye opener for a 16 year old suburban white kid who's idea of wild and crazy at the time consisted of shaving my head for a sign of sol
idarity for the High School soccer team.


























Post Script: Had it not been for my friend Gray who used to give me rides home from school from good old Dunwoody High School and had a tape cassette player, I would never had been exposed to Nirvana, Pearl Jam, Dinosaur (before they became Jr. and still had Lou Barlow in the band), Soundgarden, Shonen Knife, Sebadoh (after Dinosaur broke and became Dinosaur Jr.), Eric's Trip, Superchunk, a lot of stuff from the Raleigh music scene and lot of other bands that never seemed to catch on like Nihilist, still the angriest band I have ever seen live. as well as getting to see the the film "1991: The Year Punk Rock Broke", which opened my eyes into what I believed being real, and a true grunge slacker was about (in keeping with that it seems Amazon only sells this movie in VHS lol) .

Friday, April 10, 2009

Chris Cornell - Part 3 - 04.01.09 - Atlanta, GA

Just in case you enjoyed some of the earlier posting of the acoustic "Finally Forever" in Part 2 of my Chris Cornell review I am adding a pair of additional acoustic live tracks that I think you will love!
(the first courtesy of
96.1FM and the 2nd by MSN Music)Feel free to download both tracks FREE seen below.

How many times can you say rawkstar fast? 4? 7? 9? Hell I don't know or and I don't know the to answers to the "
WMAP (Wilkinson Microwave Anisotropy Probe) Experiment" by our quantum physics pal Max Tegmark, but I do know this music track is hawt!

Enjoy and have a great Easter Weekend if you do not hear from us again!


"Chris Cornell -Fell on Black Days - LIVE - 04.01.2009 - Atlanta, GA - Center Stage"

(photo of by Ross Feingold - 04.01.2009 of Chris Cornell Live @ Center Stage - Atlanta, GA)

"Chris Cornell - Billie Jean (cover) - Stockholm, Sweden @ 0'Bar - 2006"



(cover art: Ginger Lindsey - "There She Goes..." - (c) 2009 NIKON CORPORATION D200 - Editing PS4 of CS4, Elements 7.0 )

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